Paul Kuimet, “Brooklyn Kitchen Still Life”, 16 mm film projection, continuous loop, 2020. Film still.

The exhibition opening takes place in the WIELS project room on October 13 from 18-21.

The presentation of Kuimet’s first comprehensive monograph “Compositions with Passing Time” will coincide with the opening of the exhibition at 18:00. Kuimet will be in conversation with Lieven Lahaye, a Brussels based artist and publisher.

Exhibition

Paul Kuimet’s exhibition “Sidewalks and Desktops” presents works that Kuimet developed during and since his residency at WIELS in 2018.

“Material Aspects” is an essay film that traces the origins of modernist steel and glass architecture to the Crystal Palace, built in 1851 for the first World’s Fair. In the film an assortment of archival materials is browsed on the desk of an unknown collage artist who is looking for interconnections between the Crystal Palace, its cultural apparitions, and the development of global capitalism in the 19th century towards today’s ephemeral finance capitalism. The film’s medium and technique of slow cross dissolves allows unexpected comparisons of forms, both formal and ideological.

A related triptych of photocollages – “Crystal Grid 4-6” – employs a pattern that is based on the central transept of the Crystal Palace, which is used for scrambling the fragments of photographs that were shot in different botanical gardens of the world. The photographs from the series “A Brief History of Scaffolding” also draw an abstract parallel between scaffolding and the Crystal Palace, as both are constructions based on a regular frame and they both appear transparent, lightweight and transient.

“Brooklyn Kitchen Still Life”, Kuimet’s latest addition to his series of “still life films” presents a different aspect of his practice. If some of the other works in the exhibition address specific historical structures, then this film concentrates more narrowly on the art historical genre of the still life. Nevertheless all works on display deal with time, temporality, and space in their own specific way, finding surprising beauty also in the most banal situations of the everyday.

Paul Kuimet (1984) is an artist based in Tallinn, Estonia. Kuimet received an MA degree from the Estonian Academy of Arts (2014). In 2018, he participated in the residency programme at WIELS Contemporary Art Centre, Brussels and at the International Studio & Curatorial Progam (ISCP) in New York City. He works with photographic installations and 16 mm films, the subject matter of which ranges from landscapes and architecture to objects and works of art. Obliquely addressing capitalism, its structure and modus operandi in which we are all immersed, Kuimet visually and aurally presents the social and cultural values of the present day through atemporal details and fleeting moments.

The exhibition “Sidewalks and Desktops” is produced by the Estonian Centre for Contemporary Art and supported by the Estonian Cultural Endowment and the Estonian Embassy in Brussels.

Book presentation

The presentation of Kuimet’s first comprehensive monograph “Compositions with Passing Time” will coincide with the opening of the exhibition on October 13 at 18:00. Kuimet will be in conversation with Lieven Lahaye, a Brussels based artist and publisher.

“Compositions with Passing Time” includes essays by Nico Anklam, Anthea Buys, Piret Karro, Chris Sharp, and Jaak Tomberg. The publication is edited by Laura Toots, designed by Indrek Sirkel, and published by Lugemik.

 

Media coverage
TV news clip about the exhibition opening (in Estonian)
Interview with Paul Kuimet in Postimees (in Estonian)

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